Bridging Silent Spaces With Song

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MOVIE REVIEW
Song for No One

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Genre: Drama, Short
Year Released: 2024
Runtime: 6m
Director(s): Liam Ma
Writer(s): Liam Ma
Cast: Giullian Yao Gioiello, Felice Choi, Stella Kim
Language: English and American Sign Language (ASL)
Where To Watch: showing at the 2024 Reel Asian International Film Festival


RAVING REVIEW: In his directorial debut, SONG FOR NO ONE, Liam Ma crafts an evocative narrative that stitches the seams between life and the ethereal with music. Set against a Brooklyn backdrop, the film tells the story of Gene (Giullian Yao Gioiello,) a musician whose melodic broadcasts reach his deceased mother, transcending the boundaries between the living and the afterlife. This supernatural premise is rooted in reality, providing a stark contrast that deepens the film’s emotional resonance. Ma’s creative decision to use stationary bikes to facilitate this otherworldly communication is innovative and a poignant metaphor for the cyclical nature of grief and remembrance.


Gioiello plays Gene with compelling vulnerability. He is a character caught between past connections and present realities. Gene’s music accentuates his journey, enriching the film’s soundscape and acting as a conduit for his emotions. Felice Choi as Sook-Ja and Stella Kim’s portrayal as Han-Sol contribute to the film’s emotional core, delivering performances that underscore the enduring strength of unseen bonds.

Visually, SONG FOR NO ONE is a study in solitude, with lingering shots that capture the isolation of Gene’s internal struggle. The cinematography complements the narrative’s reflective tone, turning Gene’s quiet moments of reflection into a visual meditation on loss. Each frame is thoughtfully composed, mirroring the quiet but profound theme of the film.

However, the film occasionally skirts the edges of Gene’s more profound emotional transformation, focusing more on the ethereal connection than his personal growth. Diving deeper into Gene’s everyday life and his interactions with those around him could have provided a fuller picture of his evolution and made his journey more relatable to the audience. To be fair, there is already so much packed into a film with a six-minute runtime; this would be an intriguing avenue to look down if this story were ever expanded.

Ma’s subtle touch is evident in handling the film’s themes. By integrating American Sign Language (ASL) into the narrative, he not only broadens the scope of communication depicted on screen but also enriches the storytelling, making the film’s message of connectivity even more impactful.

SONG FOR NO ONE is an assertive declaration of Ma’s storytelling vision and artistic sensitivity. It navigates the complex themes of loss and connection with a grace that invites viewers to reflect on their relationships and the memories that bind them. The film’s use of music as a narrative bridge highlights the universal language of emotion, making a profound statement on the power of art to transcend life’s boundaries.

As Ma’s initial venture into directing, the film suggests a promising future for him. It positions him as a filmmaker capable of weaving complex and emotional narratives that speak to the heart and the mind. SONG FOR NO ONE leaves a lasting impact, marking the beginning of what promises to be an inspiring career.

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[photo courtesy of ONE-EYE MONSTER PICTURES, BOOKLIGHT FILMS]

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