Heartfelt Homage to Martial Arts Classics!

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MOVIE REVIEW
The Last Kumite

18+ –     

Genre: Action
Year Released: 2024
Runtime: 1h 45m
Director(s): Ross W. Clarkson
Writer(s): Sean David Lowe, Ross W. Clarkson
Cast: Kurt McKinney, Billy Blanks, Cynthia Rothrock, Mathis Landwehr, Matthias Hues, Mohammed “Michel” Qissi, David “Bolo Jr” Yeung, David Kurzha
Language: English and German with English subtitles
Where To Watch: available now, order here: www.amazon.com


RAVING REVIEW: Take a step back in time with THE LAST KUMITE, which fuses the allure of 80s martial arts dramas with today’s flair. Under the direction of Ross W. Clarkson and co-written by Sean David Lowe, this narrative transports us from the gritty streets of New York to a dojo. There, protagonist Michael Rivers, portrayed by Mathis Landwehr, is drawn into a life-or-death struggle within the treacherous confines of a Bulgarian arena. Driven by the desperation to save his abducted daughter from the clutches of the vile Ron Hall, acted with chilling effectiveness by Matthias Hues, Rivers must confront his deepest fears in a series of increasingly dangerous bouts.


Right from the opening scene, THE LAST KUMITE oozes a vibe that feels like a blast from the past, enhanced by a soundtrack with classic hits that boost the on-screen action. Clarkson brings a nuanced touch to the dynamic fight choreography and intense training montages, capturing martial arts’ raw energy and spirit. Though occasionally the script misses the mark on depth, and I can’t help but want more action, the film focuses heavily on dialogue-driven exposition, which causes the film to occasionally forget its roots.

The film benefits from the authentic and nostalgic contributions of martial arts legends Billy Blanks, Cynthia Rothrock, and Kurt McKinney. Their seasoned presence, combined with the vibrant debut of David Kurzhal, known in the online world as Viking Samurai, adds a fresh layer of contemporary zeal to the vintage framework.

As the story unfolds toward the climactic tournament, the pacing may test some viewers’ patience with its detailed buildup of character arcs and subplots. However, the narrative sharpens once the action gets going, though some character connections may feel stretched. The performances by the main cast manage to bridge these emotional gaps to a significant extent.

Merging heartfelt tributes with kinetic fight sequences, THE LAST KUMITE offers a solid cinematic blend of action, emotional stakes, and a powerful soundtrack that roots the film firmly within its intended epoch. Choreographer Mike Möller excels in weaving traditional and modern martial arts maneuvers together, creating visually striking sequences that honor the past while embracing modern flair.

In essence, THE LAST KUMITE is more than a mere nostalgic trip; it serves as a vibrant gateway to the golden era of martial arts cinema, constructed with a genuine affection for its genre. While it might not rival the seminal works it draws inspiration from, it distinguishes itself as a lively homage that beckons both longtime enthusiasts and newcomers to relive the thrill of 1980s action adventures. For those who can see past its narrative imperfections, the film promises an engaging and spirited journey filled with all the drama and excitement characteristic of beloved martial arts films.

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[photo courtesy of CAPELIGHT PICTURES]

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